Discover Top Posts Tagged with #(mostly that first lady she is really channeling the aesthetic) | Tumgag (2024)

please recommend some asmr channels 🙏

ok i'm going to assume you're familiar with the big names like goodnight moon (big favourite), latte, tingting and ppomo. if not...get the hell on youtube.

i almost exclusively listen to female voiced roleplays so that's going to be really obvious here.

one of my favourite channels i've ever found is moonlight cottage asmr. her voice is beautiful, intelligent and a little bit more mature and the french accent just hits. her historical videos are compelling, you can tell they're passion projects and she is quite an actress.

another definite recommend is ALB in whisperland. she has a gentle voice, her soft speaking is so good, and she has a lot of videos where she delicately does things with her beautiful hands, which i like a lot.

some more in no particular order:

-aen ani asmr. i feel like she's so underrated. she mainly does fantasy roleplays in costumes and the channel is still a bit small so you have a good chance of getting a reply or your request being included in a video. it's not like, insanely polished and high production value but i like it.

-asmr mood. speaks russian but many are subtitled in english. oftentimes has fanservice and is one of the few asmrtists (on my list, maybe even in general) who usually presumes the viewer as male. i don't care about it but it means there's no makeup videos (which i find boring). and as i've said before, when the russian language k and t sounds come out in asmr i... no, i shan't say.

-amy kay asmr. pretty much exclusively roleplays and usually has interesting concepts (ie not the 5 millionth makeup and cranial nerve exam). confident and charismatic and is a bit more peppy in the way she speaks rather than the, like, pure bedtime voices.

-eunzel asmr. korean with english subs + english spoken videos. roleplays, also weird and odd triggers. i've rewatched both of her "doctor asking you insanely personal questions" videos many times.

-bluewhisper. first asmr video i ever watched was her (sadly quickly deleted) "rescuing harambe" video which got screenshotted and i think gave her a lot of negative attention because her sense of humour is playing it completely straight and people are obsessed with being smarter than the person being ironic. she does simple roleplays, vlogs, flips through the new burpee seed catalog once a year for her garden and opens pokemon cards.

-seafoam kitten asmr. if you remember the "adorable organ harvester uwu asmr" screenshot going around, that's her. she does weird, cringe-humour roleplays. she also has a slightly risque one where you get indoctrinated into being a "love pet" puppy which i think would do numbers on here.

-myaling asmr. english with korean accent. mostly long roleplays, very sweet voice and puts great effort into having a lot of props, background detail etc. often has cinematic intros which i love. her "aesthetic school outfit styling" has probably my favourite intro scene i've ever seen in asmr.

-callie blossom asmr. she's strikingly beautiful and has a "girl who's secretly obsessed with you" series that is very popular with lesbians for good reason.

-maya winky asmr. silly, fast paced humour asmr. i feel bad not saying more but like just look at her channel lol

-mid mod meridian asmr. american accent. older lady who does 50s, 60s and 70s themed roleplays. not to be like aww sweet grandma but. yeah.

-ella asmr. korean with english subs. a lot of scifi themed videos with special effects, surgery on you and mechanical equipment sounds.

-whispering willow asmr. nice, simple, basic roleplays, usually in the 20-30 min range. i like when videos aren't too long because i usually clock out after 5 minutes anyway.

-african xhosa asmr. criminally underrated. she speaks and has a few videos teaching phrases in xhosa, a south african language with clicks that i've never even heard before. also talks about history and culture often.

-90sfairyasmr. relatively new channel with not too many videos, she mostly flips through y2k/1990s teen magazines so far.

-asmr emiko ffujio. no talking, but has cool slimes and fake cooking.

-gentle whispering asmr. a very big channel, russian accented. i like her voice and soft speaking a lot but her topics tend to bore me a bit. it's generally beauty focused.

-triniti j asmr. american accent. i havent watched a lot of hers because they're usually beauty focused, but for example in the "best friend picks out your smell goods" she gets really close to the mic and chews gum which creates a speaking sound i like a lot. idk how to describe it lol

-pelagea asmr. doesn't upload on youtube anymore but a lot of backlog. mostly more or less fanservicey videos that get a bit unintentionally silly and too much sometimes. i mainly recommend her "100 ways to kiss" video with the lesbian bait thumbnail that got her 13 million views.

now feel free to recommend ME some i don't know yet.

Introductions: Modern Day Witchcraft

Magic is Simple:

Magicians, (or anyone that falls under the umbrella of energy manipulation) use tools mostly for pleasure.

Open any beginner witchcraft book and they will tell you the same thing.

Tools are teachers that guide in discovering how to reveal and cultivate the foundation already present within you.

Tools are the perfect assistants to bridge the gap between the ethereal and the physical.

All that is needed is to know oneself and to have a healthy gauge on the power within and the responsibility of holding that power.

From the clarity and stability of the inner foundation, the magician learns to channel and direct their energy into what is important to them based on their personal values, morals, and ethics creating a sustainable and palpable connection from the spiritual into the physical.

Essentially, the set up of tools are a mirror offering of what is being called down in from the Spirit which then reflects back into the life of the magician.

What is started in a private and sacred space is carried out, by the magician, into the environments they inhabit, activating and awakening soul lessons and gifts for everyone involved.

If discovering magic puts you in a corner out of fear of karma, what you are saying is that you are afraid of your power.

You, as the magician, from the empowered knowing of being a creator, are the beginning and the end of your karma.

The ‘three-fold law’ takes new meaning from this awareness.

All magic begins from your essence.

I love how an old friend of mine put it to me years ago:

You know, I never understood the purpose of certain powders until I thought about it. I felt it was really stupid to have things such as 'car crash powder'. But then, I wanted something really bad and really fast and knowing I ran the risk of harming myself, I started to think: How -do- you create a powerful spell with faster results? Take that car crash for example, the impact of that crash in the designated area leaves an imprint like how mediums can pick up on energetic memory (psychometry). Said item has stored energetic memory, that allows for you to utilize the imprint towards your efforts. Because of the nature and origin of this powder, it can be used to draw your desires to you faster. I guess it's not so dumb anymore, and it works, after months of applying for a job, I was hired on the spot the next day.

In other words, energy created from that impact can be directed to initiate positive or negative change regardless of the initial condition because the essence is the same.

The greatness of the impact can be used to call forth your intention faster and suddenly; albeit chaotically-so be wise and create intentionally from start to finish.

Take this information and envision spell work coming from the center, which is you.

Allow manmade complications fall away for a moment as you continue to read through this post.

If you are an aspiring practitioner, unless you are seeking to get into the realm of Spirits and Deity work, you can choose to reframe and start with this notion.

The Modern Day Witch

There is a saying that another friend of mine used to love to remind me of back in the day.

As a person with an open heart who had no concept of boundaries, my friend, a fierce fire sign, used to remind me that not all witches make themselves known.

Let's be real, when we think of witches today we are no longer seeing hungry old ladies eating babies, we are not seeing hags stirring pots, we are not thinking of Charmed or any other theatrical rendition of The Witch.

The first thing that comes to our mind now is probably social media.

The aesthetic of the witch, long time practicing witches, baby witches, and witches from every culture.

My aim during these next three weeks is to go layers deeper than our practice and connect to the essence of what we as witches and women represent.

A Woman Asleep...

The most dangerous witch is the one that does not know she is a witch.

She is the woman who does not know her power, the curious one fiddling with her magic; ignorant to the laws of the Universe breathing and functioning through her.

It is her, and her alone, provoking the elements with her limited perspective and lack of openness.

She is unaware of how much space she actually takes up simply for being born female.

The witch with or without tools, the everyday woman starts out as an unconscious weaver.

She creates from shadow and in this space is the power and potential of the seven deadly sins (and their cousins) to attack at any perceived slight, real or imagined.

The pain she smiles through festers inside of her and manifests in the environment as passive aggression, first as a slow drip until it becomes an all out war.

She feels justified to blame other women for the space she does not take up and the power she is too afraid to own; and in that delusion seeks to take and or destroy that power in others.

As women, this is done through the negative current of gossip and manipulation which is rooted in fear, envy, and a general lack of self awareness, control, and responsibility.

These types of witches engage their magic from a space of deficiency. This is a part of unfolding narrative of the sister wound; generating power by bonding through unresolved trauma and low self-worth.

The unintended result of this form of witchcraft is always a shakeup and breakdown of everything that is false in every participant.

It’s the destructive yet positive force of Darkness asking for all of us to wake the f*ck up and get our sh*t together.

To realize we can generate this power ourselves instead of harvesting it from each other and come into a space of collaboration instead of competition.

The Real Witchcraft of 1692 Carries the Same Essence Today:

When we look outward into the world around us, we are quick to deflect and avoid our discomfort with the way things are by witnessing the uncomfortable situation, turning to our loved ones, shrugging, and ending the conversation with: Well, history always repeats itself.

We make society's unresolved issues a problem for someone out there to handle while we sit comfortably behind our laptops pretending we give a damn (or saying the right things to appear virtuous).

We serve our causes from a place of pity and the idea that history is either only in our textbooks or being made on our screens.

We miss the events directly affecting our lives and the change that we have the actual capacity to create in how we treat others living their personal Witch Trial.

When you look at people, when you observe an environment-

What do you see?

Where does your judgment ( and your 'right' to judge) or distaste come from and where does it lead you to?

If we are so determined for history not to repeat itself, what are we doing by our actions right now, at home for example (inwardly and outwardly) to correct it?

Do our behaviors line up with who we say we are, or is it time to reflect on which parts of us are a talking head?

The medicine of the Witch Trials allows us to and heal and make peace with the unconscious magician; witnessing how it is their own hysteria that is the Spell in the overarching story.

It is the unconscious build up of that negative energy in one place, like a wild fire, setting the stage for transformation and forcing everyone to take a long hard look at where the villain really lives and what has been created from that space of ignorance.

When the fire dies, there is a new space created for us to choose to be wiser with our power, though the impact of the event is still felt, and the essence is the same.

Every day, we get to choose what we do with that Essence.

The Modern world is witchcraft on steroids…

Non-book-spoiler (or any spoiler) thoughts about Wheel of Time: I liked it a lot! So far it’s keeping a brisk pace, there’s enough exposition to keep track of what’s happening but not too much, the aesthetics of the show are gorgeous, and the cast are all very good as well as very well-cast. Plus people actually, you know, like each other, which is always my number one metric for whether I’m going to like a story. You do have to be in for a (at this stage) very LoTR-but-with-more-ladies epic fantasy show pastiche, but if that sounds like something you could enjoy, I think this is worth checking out. (Warnings wise: lots of violence, mostly heat-of-battle but one instance of implied torture, tasteful nudity.)

Book spoiler territory (as well as a couple of show spoilers) below the cut:

My overall takeaway is that the people making this show like the books, understand what has made the books popular, and are trying to make their own visual interpretation of the books. They’re not afraid to make some very major changes but with one glaring exception (PERRIN) they are appropriate and logical changes for a compressed plotline and introducing key characters/worldbuilding notes in a structured way. I reallyliked one thing they did in episode three which was clearly structured to give book readers a real shock/surprise, while also being comprehensible and equally surprising for show-only viewers, while in retrospect directly adapting a canonical plot beat. That’s hard!

The cast are all excellent and their acting and the script nail the characters even when the dialogue is new - there’s a lot of scenes where I knew that nobody had said or done that in the books, but if Rand or Egwene or whoeverhaddone that or had that conversation...I believe that’s how it would have played out. The Moiraine-vs-the-Whitecloaks scene - SUCH a good demonstration of how the first oath works! I also really enjoy that instead of the boys all constantly complaining about the incomprehensibility of women, they talkto them! They don’t always come away understanding each other, but conversations are in fact happening. And some of the landmark scenes that are adapted fairlydirectly (e.g. Nynaeve sneaking up on Land and Moiraine, Egwene learning she can channel) are just great. I am so deep in the Lan/Nynaeve shipping hole already, and also the Egwene fangirl hole. SHE’S GOING TO BE THE AMYRLIN SEAT YOU GUYS. IT’S GOING TO BE SO GOOD.

My main niggles are that they’ve made the Whitecloaks much more overtly violent and dangerous to Aes Sedai than they are in the books and I am...uncertain how this will play out longterm...and, of course, the Perrin Thing. Look, I don’t mind him being married, I loveLaila being a blacksmith - it’s part and parcel of a concerted worldbuilding attempt to depict ~actual~ gender equality - but Perrin goes through it emotionally enough in the first two books without adding unintentional fridging to his list of Secrets To Be Sad And Self-Loathing About. And it is, unambiguously, fridging. They’re going to have to do a lot of work to pull that right. Thom’s first scene is also weird and OOC - Book!Thom would never steal from someone he’s never met to make...what point? That obviously skint people owe him money for busking? That was weird. His whole role and demeanour as an entertainer, someone deliberately trying to bring colour and joy into people’s lives, is gone. His other scenes were much better, though.

On the flipside, the changes to Mat’s backstory make both his flaws and his virtues clearer and more meaningful from the get-go (he’s a bit of a nonentity for the first three books) and Barney Harris is very good, I am genuinely upset already that he’s leaving after this season.

TL;DR I’m really upbeat about this? This could be really good? f*ck it’s definitely going to get cancelled after three seasons isn’t it

The Mighty Boosh on the business of being silly

The Times, November 15 2008

What began as a cult co*cktail of daft poems, surreal characters and fantastical storylines has turned into the comedy juggernaut that is the Mighty Boosh. Janice Turner hangs out with creators Noel Fielding, Julian Barratt and the extended Boosh family to discuss the serious business of being silly

In the thin drizzle of a Monday night in Sheffield, a crowd of young women are waiting for the Mighty Boosh or, more precisely, one half of it. Big-boned Yorkshire lasses, jacketless and unshivering despite the autumn nip, they look ready to devour the object of their desire, the fey, androgynous Noel Fielding, if he puts a lamé boot outside the stage door. “Ooh, I do love a man in eyeliner,” sighs Natalie from Rotherham. She’ll be throwing sickies at work to see the Boosh show 13 times on their tour, plus attend the Boosh after-show parties and Boosh book signings. “My life is dead dull without them,” she says.

Nearby, mobiles primed, a pair of sixth-formers trade favourite Boosh lines. “What is your name?” asks Jessica. “I go by many names, sir,” Victoria replies portentously. A prison warden called Davena survives long days with high-security villains intoning, “It’s an outrage!” in the gravelly voice of Boosh character Tony Harrison, a being whose head is a testicl*.

Apart from Fielding, what they all love most about the Boosh is that half their mates don’t get it. They see a bloke in a gorilla suit, a shaman called Naboo, silly rhymes about soup, stories involving shipwrecked men seducing coconuts “and they’re like, ‘This is bloody rubbish,’” says Jessica. “So you feel special because you do get it. You’re part of a club.”

Except the Mighty Boosh club is now more like a movement. What began as an Edinburgh fringe show starring Fielding and his partner Julian Barratt and later became an obscure BBC3 series has grown into a box-set flogging, mega-merchandising, 80-date touring Boosh inc. There was a Boosh festival last summer, now talk of a Boosh movie and Boosh in America. An impasse seems to have been reached: either the Boosh will expand globally or, like other mass comedy cults before it – Vic and Bob, Newman and Baddiel – slowly begin to deflate.

But for the moment, the fans still wait in the rain for heroes who’ve already left the building. I find the Boosh gang gathered in their hotel bar, high on post-gig adrenalin. Barratt, blokishly handsome with his ring-master moustache, if a tad paunchy these days, blends in with the crew. But Fielding is never truly “off”. All day he has been channelling A Clockwork Orange in thick black eyeliner (now smudged into panda rings) and a bowler hat, which he wears with polka-dot leggings, gold boots and a long, neon-green fur-collared PVC trenchcoat. He has, as those women outside put it, “something about him”: a carefully-wrought rock-god danger mixed with an amiable sweetness. Sexy yet approachable. Which is why, perched on a barstool, is a great slab of security called Danny.

“He stops people getting in our faces,” says Fielding. “He does massive stars like P. Diddy and Madonna and he says that considering how we’re viewed in the media as a cult phenomenon, we get much more attention in the street than, say, Girls Aloud. Danny says we’re on the same level as Russell Brand, who can’t walk from the door to the car without ten people speaking to him.”

This barometer of fame appears to fascinate and thrill Fielding. Although he complains he can’t eat dinner with his girlfriend (Dee Plume from the band Robots in Disguise) unmolested, he parties hard and publicly with paparazzi-magnets like Courtney Love and Amy Winehouse. He claims he’s tried wearing a baseball cap but fans still recognise him. Hearing this, Julian Barratt smiles wryly: “Noel is never going to dress down.”

It is clear on meeting them that their Boosh characters Vince Noir (Fielding), the narcissistic extrovert, and Howard Moon (Barratt), the serious, socially awkward jazz obsessive, are comic exaggerations of their own personalities. At the afternoon photo shoot, Fielding breaks free of the hair and make-up lady, sprays most of a can of Elnett on to his Bolan feather-cut and teases it to his satisfaction. Very Vince. “It is an art-life crossover,” says Barratt.

At 40, five years older than Fielding, Barratt exhibits the profound weariness of a man trying to balance a five-month national tour with new-fatherhood. After every Saturday night show he returns home to his 18-month-old twins, Arthur and Walter, and his partner Julia Davis (the creator-star of Nighty Night) and today he was up at 5am pushing a pram on Hampstead Heath before taking the train north to rejoin the Boosh. “I go back so the boys remember who I am. But it’s harder to leave them every time,” he says. “It is totally schizophrenic, totally opposite mental states: all this self-obsession and then them.”

About two nights a week on tour, Fielding doesn’t go to bed, parties through the night and performs the next evening having not slept at all. Barratt often retreats to his room to plough through box sets of The Wire. “It’s a bit gritty, but that is in itself an escape, because what we do is so fantastical.”

But mostly it is hard to resist the instant party provided by a large cast, crew and band. Indeed, drinking with them, it appears Fielding and Barratt are but the most famous members of a close collective of artists, musicians and old mates. Fielding’s brother Michael, who previously worked in a bowling alley, plays Naboo the shaman. “He is late every single day,” complains Noel. “He’s mad and useless, but I’m quite protective of him, quite parental.” Michael is always arguing with Bollo the gorilla, aka Fielding’s best mate, Dave Brown, a graphic artist relieved to remove his costume – “It’s so hot in there I fear I may never father children” – to design the Boosh book. One of the lighting crew worked as male nanny to Barratt’s twins and was in Michael’s class at school: “The first time I met you,” he says to Noel, “you gave me a dead arm.” “You were 9,” Fielding replies. “And you were messing with my stuff.”

This gang aren’t hangers-on but the wellspring of the Boosh’s originality and its strange, homespun, degree-show aesthetic: a character called Mr Susan is made out of chamois leathers, the Hitcher has a giant Polo Mint for an eye. When they need a tour poster they ignore the promoter’s suggestions and call in their old mate, Nige.

Fielding and Barratt met ten years ago at a comedy night in a North London pub. The former had just left Croydon Art College, the latter had dropped out of an American Studies degree at Reading to try stand-up, although he was so terrified at his first gig that he ran off stage and had to be dragged back by the compere.

While superficially different, their childhoods have a common theme: both had artistic, bohemian parents who exercised benign neglect. Fielding’s folks were only 17 when he was born: “They were just kids really. Hippies. Though more into Black Sabbath and Led Zep. There were lots of parties and crazy times. They loved dressing up. And there was a big gap between me and my brother – about nine years – so I was an only child for a long time, hanging out with them, lots of weird stuff going on.

“The great thing about my mum and dad is they let me do anything I wanted as a kid as long as I wasn’t misbehaving. I could eat and go to bed when I liked. I used to spend a lot of time drawing and painting and reading. In my own world, I guess.”

Growing up in Mitcham, South London, his father was a postmaster, while his mother now works for the Home Office. Work was merely the means to fund a good time. “When your dad is into David Bowie, how do you rebel against that? You can’t really. They come to all the gigs. They’ve been in America for the past three weeks. I’m ringing my mum really excited because we’re hanging out with Jim Sheridan, who directed In the Name of the Father, and the Edge from U2, and she said, ‘We’re hanging with Jack White,’ whom they met through a friend of mine. Trumped again!”

Barratt’s father was a Leeds art teacher, his mother an artist later turned businesswoman. “Dad was a bit more strict and academic. Mum would let me do anything I wanted, didn’t mind whether I went to school.” Through his father he became obsessed with Monty Python, went to jazz and Spike Milligan gigs, learnt about sex from his dad’s leatherbound volumes of Penthouse.

Barratt joined bands and assumed he would become a musician (he does all the Boosh’s musical arrangements); Fielding hoped to become an artist (he designed the Boosh book cover and throughout our interview sketches obsessively). Instead they threw their talents into comedy. Barratt: “It is a great means of getting your ideas over instantly.” Fielding: “Yes, it is quite punk in that way.”

Their 1998 Edinburgh Fringe show called The Mighty Boosh was named, obscurely, after a friend’s description of Michael Fielding’s huge childhood Afro: “A mighty bush.” While their double-act banter has an old-fashioned dynamic, redolent of Morecambe and Wise, the show threw in weird characters and a fantasy storyline in which they played a pair of zookeepers. They are very serious about their influences. “Magritte, Rousseau...” says Fielding. “I like Rousseau’s made-up worlds: his jungle has all the things you’d want in a jungle, even though he’d never been in one so it was an imaginary place.”

Eclectic, weird and, crucially, unprepared to compromise their aesthetic sensibilities, it was 2004 before, championed by Steve Coogan’s Baby Cow production company, their first series aired on BBC3. Through repeats and DVD sales the second series, in which the pair have left the zoo and are living above Naboo’s shop, found a bigger audience. Last year the first episode of series three had one million viewers. But perhaps the Boosh’s true breakthrough into mainstream came in June when George Bush visited Belfast and a child presented him with a plant labelled “The Mighty Bush”. Assuming it was a tribute to his greatness, the president proudly displayed it for the cameras, while the rest of Britain tittered.

A Boosh audience these days is quite a mix. In Sheffield the front row is rammed with teenage indie girls, heavy on the eyeliner, who fancy Fielding. But there are children, too: my own sons can recite whole “crimps” (the Boosh’s silly, very English version of rap) word for word. And there are older, respectable types who, when I interview them, all apologise for having such boring jobs. They’re accountants, IT workers, human resources officers and civil servants. But probe deeper and you find ten years ago they excelled at art A level or played in a band, and now puzzle how their lives turned out so square. For them, the Boosh embody their former dreams. And their DIY comedy, shambolic air, the slightly crap costumes, the melding of fantasy with the everyday, feels like something they could still knock up at home.

Indeed, many fans come to gigs in costume. At the Mighty Boosh Festival 15,000 people came dressed up to watch bands and absurdity in a Kent field. And in Sheffield I meet a father-and-son combo dressed as Howard Moon and Bob Fossil – general manager of the zoo – plus a gang of thirty-something parents elaborately attired as Crack Fox, Spirit of Jazz, a granny called Nanageddon, and Amy Housemouse. “I love the Boosh because it’s total escapism,” says Laura Hargreaves, an employment manager dressed as an Electro Fairy. “It’s not all perfect and people these days worry too much that things aren’t perfect. It’s just pure fun.”

But how to retain that appealingly amateur art-school quality now that the Boosh is a mega comedy brand? Noel Fielding is adamant that they haven’t grown cynical, that The Mighty Book of Boosh was a long-term project, not a money-spinner chucked out for Christmas: “There is a lot of heart in what we do,” he says. Barratt adds: “It’s been hard this year to do everything we’ve wanted, to a standard we’re proud of... Which is why we’re worn to shreds.”

Comedy is most powerful in intimate spaces, but the Boosh show, with its huge set, requires major venues. “We’ve lost money every day on the tour,” says Fielding. “The crew and the props and what it costs to take them on the road – it’s ridiculous. Small gigs would lose millions of pounds.”

The live show is a kind of Mighty Boosh panto, with old favourites – Bob Fossil, Bollo, Tony Harrison, etc – coming on to cheers of recognition. But it lacks the escapism to the perfectly conceived world of the TV show. They have told the BBC they don’t want a fourth series: they want a movie. They would also, as with Little Britain USA, like a crack at the States, where they run on BBC America. Clearly the Boosh needs to keep evolving or it will die.

Already other artists are telling Fielding and Barratt to make their money now: “They say this is our time, which is quite frightening.” I recall Vic Reeves and Bob Mortimer, who dominated the Nineties with Big Night Out and Shooting Stars. “Yes, they were massive,” says Fielding. “A number one record...” And now Reeves presents Brainiac. “If you have longer-term goals, it’s not scary,” says Barratt. “To me, I’m heading somewhere else – to direct, make films, write stuff – and at the moment it’s all gone mental. I’m sort of enjoying this as an outsider. It was Noel who had this desire to reach more people.”

Indeed, the old cliché that comedy is the new rock’n’roll is closest to being realised in Noel Fielding. Watching him perform the thrash metal numbers in the Boosh live show, he is half ironic comic performer, half frustrated rock god. His heroes weren’t comics but androgynous musicians: Jagger, Bowie, Syd Barrett. (Although he liked Peter Cook’s style and looks.)

“I like clothes and make-up, I like the transformation,” he says. Does it puzzle him that women find this so sexually attractive? “I was reading a book the other day about the New York Dolls and David Johansen was saying that none of them were gay or even bisexual, and that when they started dressing in stilettos and leather pants, women got it straight away with no explanation. But a lot of men had problems. It’s one of those strange things. A man will go, ‘You f***ing queer.’ And you just think, ‘Well, your girlfriend fancies me.’”

The Boosh stopped signing autographs outside stage doors when it started taking two hours a night. At recent book signings up to 1,500 people have shown up, some sleeping overnight in the queue. And on this tour, the Boosh took control of the after-show parties, once run as money-spinners by the promoters, and now show up in person to do DJ slots. I ask if they like to meet their fans, and they laugh nervously.

Fielding: “We have to be behind a fence.”

Barratt: “They try to rip your clothes off your body.”

Fielding: “The other day my girlfriend gave me this ring. And, doing the rock numbers at the end, I held out my hands and the crowd just ripped it off.”

Barratt: “I see it as a thing which is going to go away. A moment when people are really excited about you. And it can’t last.”

He recalls a man in York grabbing him for a photo, saying, “I’d love to be you, it must be so amazing.” And Barratt says he thought, “Yes, it is. But all the while I was trying to duck into this doorway to avoid the next person.” He’s trying to enjoy the Boosh’s moment, knows it will pass, but all the same?

In the hotel bar, a young woman fan has dodged past Danny and comes brazenly over to Fielding. Head co*cked attentively like a glossy bird, he chats, signs various items, submits to photos, speaks to her mate on her phone. The rest of the Boosh crew eye her steelily. They know how it will end. “You have five minutes then you go,” hisses one. “I feel really stupid now,” says the girl. It is hard not to squirm at the awful obeisance of fandom. But still she milks the encounter, demands Fielding come outside to meet her friend. When he demurs she is outraged, and Danny intercedes. Fielding returns to his seat slightly unsettled. “What more does she want?” he mutters, reaching for his wine glass. “A skin sample?”

A Castle in the Forest

Percy x Vex’ahlia, Chapter 13, 3200 words,

A Modern AU, in which Vex is a park ranger taking over the Alabaster Sierras post, and finds much more than she bargained for.

Read on AO3

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Vex steps out of the temple, Vax by her side, and the light of the day feels wrong. It feels like decades have passed while they discussed what to do about Percival de Rolo, not merely a few hours.

Maybe it’s because the inside of the Lady’s Chamber is as barren as the Zenith is desolate. She gets the minimalist aesthetic that comes with the Lawbearer but she wishes there were some colorful tapestries to at least brighten up the room.

It’s midday, which is the only reason it’s this bright out. It’s Duscar 2nd, the shortest day of the year, and it means especially a lot so far North. There will only be a couple hours more of daylight and whatever work Vex had leftover for the day will have to wait until tomorrow.

Keeper Yennen is the only one of the group that stayed behind. Father Reynal is already halfway through the square, walking towards his temple and the cemetery. The rest of them gather a few feet from the door, looking at each other with the awkwardness of recently-introduced coworkers.

They form quite the motley crew. A cleric of an all-but-forgotten goddess, a barbarian, two half-elf twins, and the only remaining alive and safe member of the ruling family of the city. She’s barely counting in the two aging priests that provide mostly support and won’t be let anywhere near the fiend.

This feels doomed to fail. A small part of Vex tells her regularly that she should run away and leave these people to their own devices, that this doesn’t concern her. They should all be lucky her professional consciousness is stronger than that little survivalist voice.

“Vex?” Pike’s voice resounds, soft and light and Vex looks down at the other woman.

“Yes?”

Pike looks at her with an apologetic smile. “I wanted to apologize. I didn’t know at the time what was happening. I should probably have warned you once I was made aware of the situation…”

Vex shakes her head. “It’s okay, Pike, it wasn’t your responsibility. You have nothing to do with it.”

It was the priests’ responsibility. It should have been them who warned Vex of what the fiend was. But they’d covered it up. They potentially had lost precious time, because they hadn’t let her do her job.

Pike smiles at her. “I wasn’t lying about the… being sent by my goddess thing,” she points out. “I don’t think I would have left Westrunn if that wasn’t for her.”

Vex raises an eyebrow. “Really?”

“I have family there. My great-grandpa. And I’m trying to bring some sort of Sarenrae worship back, build a new temple. It’s not super easy, even with this guy,” she points at Grog. Grog smiles at Vex, a smile that would have been scary if Vex hadn’t already seen how soft he was around Pike. “Sarenrae was forgotten a long time ago.”

Vex doesn’t know much about Sarenrae, mostly only what Pike has told her. She nods. “I see. Well I hope either way that it will go well for you. It seems like a good goddess to have a congregation of.”

Pike chuckles. “Yeah, she’s no Betrayer,” she nods. “Alright then. I think Grog and I will go get lunch. Have a good day, and see you at the next meeting.”

Vex bids them goodbye before turning back to her brother, who seems in the middle of a conversation with Cassandra.

“It’s Barren Eve,” Vax is saying when Vex settles next to him. “Are you going to light candles for your family?”

Cassandra seems a little taken aback by that. “Probably,” she replies after a small moment. “What happened here wasn’t really a war, but it’s close enough.”

Vex crosses her arms. “I understand you don’t want to relive what happened, but I’d really appreciate knowing the background of this entire story. It might give us some idea of where to start looking for the fiend your brother has elected to make a deal with.”

Cassandra observes her for a moment, eyes heavy with horrors Vex can’t even imagine. She feels a little guilty for bringing this up over and over again but she needs to know. She can’t go out of her way to save a De Rolo without knowing why he’s in this situation in the first place.

“I can tell you the story,” Cassandra nods. “However I’d like… some privacy?” She gestures at the open square around them. “And it will be more comfortable somewhere where we can all sit. I can bring you to my home if you’d like.”

That’s a sign of goodwill if Vex has ever seen any. Vax is already acquiescing before Vex opens her mouth to accept. He seems to like her. Maybe it’s that sibling thing. Cassandra isn’t a twin, but she’s a sister.

They quickly start making their way to Cassandra’s home. They are mostly silent while on the road. They don’t have a lot of things to talk about. There’s a lot of heaviness between them. Vex doesn’t really feel like dissipating it just yet, if she’s being honest with herself. It’s petty, but it feels good.

To Vex’s surprise, Cassandra guides them off into an alleyway and behind the Alcove, the shop Vex visited on her very first visit into town. She remembers meeting Keyleth there, with those strange clockwork machines that she now knows to be the work of Percival himself.

Cassandra opens a door at the back of the Alcove’s building. Behind it is a narrow stairwell. Vax closes the door behind himself as they walk up into Cassandra’s home.

It’s an apartment, Vex can only see the first room she steps in, all other doors are closed. It’s tidy, but lived in. There are many books lining shelves against the walls, a lot that looks like textbooks.

There’s a small clockwork machine on one of the shelves. There’s a picture framed on the wall, a family portrait. Vex counts two adults and seven children of various sizes. There are twins in there.

“You had a big family,” Vex points out.

Cassandra nods sadly. “It’s been strange to be alone,” she replies.

Vex feels like an asshole again.

They settle around the light wooden table in the middle of the room. Cassandra serves them some coffee and they let the silence settle around them, heavy and thick. Vex doesn’t know exactly how to start this, how to ask again, so she just sort of waits.

“So… my family,” Cassandra starts, shifting a little. She seems to be getting comfortable for a long tale. “The De Rolos founded Whitestone in the early seventh century. We came from Wildemount, wrecked our ship on the Shearing Channels. The Sun Tree was already there, glowing in the winter, and we settled around it. As time passed, we discovered the whitestone of the Alabaster Sierras had a few properties of interest to spellcasters. It allowed us to develop trade with the home continent.”

Vex didn’t expect the story to start this far back in the past. She expected a retelling of the last few years, perhaps, but this is much closer to a history lesson.

Cassandra pauses and takes a sip of coffee before continuing.

“Wildemount is not like Tal’Dorei or Issylra. Arcane magic is much more developed and studied there than it is here. They have very important arcane societies. One of those societies is called the Cerberus Assembly,” she explains. “They’re a group of mages, maybe the most influential political power on Wildemount. And they had great use for whitestone. That’s how my family eventually came in contact with Archmage Delilah Briarwood, one of the eight archmages of the Cerberus Assembly.”

She swallows hard, her eyes staring at the table. Vex already knows from this look that Delilah Briarwood is going to become one of the main players of this story. She thinks she’s heard the Briarwood name before… or maybe it was Cerberus Assembly. Perhaps her father has met with some of the members of that assembly before, or they’ve come to Syngorn. The elven society is filled with scholars of the arcane.

Cassandra starts talking again, with a voice sounding almost detached from the story.

“They had mostly business relations with her. She was deeply interested in Whitestone’s history, in the Sun Tree and the Alabaster Sierras’ tale of creation during the Calamity. They weren’t great friends, but they knew each other well enough. So when Lord Sylas and Lady Delilah Briarwood came knocking at the doors of the castle, looking for a place to stay as they had been unjustly driven out of the Assembly, my parents believed them.”

Her voice is clouded with bitterness. So that was probably a lie then. Vex swallows. She can feel the tension in the memories building, can feel the dread wrapping around those words. The longer Cassandra talks, the more she fears the climax of it.

“I don’t know what they said that made my parents believe all their stories. I was about 14 at the time, and I wasn’t allowed in the office when those conversations were held,” she swallows. “But the Briarwoods settled in our home with their personal doctor, Anna Ripley, and then their friends trickled into the city. The doctor took great interest in Percival’s studies, growing close to his tutor, Professor Anders. Unbeknownst to all of us, they were plotting to take over.”

Her hand around the cup tightens, the knuckles white with the tension.

“We held a feast for the anniversary of their arrival, exactly one year after they’d found us. They’d become part of the family. We toasted to them. And then, they started murdering us. Sylas Briarwood was actually not a man but an undead creature, and his strength and seeming taste for blood was the end of my mother and father. And then they hunted the rest of the family, as well as the staff. For some reason, they’d decided to keep the youngest of us alive. Percival, the twins, Ludwig and I. I’m guessing the doctor’s fondness for Percy was his saving grace.”

Cassandra has a soft, bitter chuckle. Vex almost mirrors it. It is strange to think of saving graces when she has seen what Percival has become.

“The details are fuzzy, but somehow I managed to get Percy and I out. We ran through the secret tunnel, the one you probably were in, to freedom. Well… he did,” she looks down again. “They had archers on the wall and they caught me. Percy ran away as I was hit with arrows and… that’s the last time I saw him un-possessed. I think I died there, from being shot through with arrows. Yet, I awakened later on in my very own bed in the castle. They’d cleared out the bodies and styled themselves Lord and Lady of Whitestone, and took me in for… the Gods only know why…”

Pain is now obvious over her face. She’s struggled to keep it in the entire time, but the coldness and detachment she affected before are gone.

“For three years, I was theirs. Eventually, I stopped thinking myself a de Rolo, but rather a Briarwood. They called me their daughter,” she whispers. “The city tried fighting back, but I was playing a game with the rebellion, spying on them for information. I still don’t know if I was doing it of my own volition. But because of me, many of my people died… All their attempts at gaining freedom failed.”

There are tears in her eyes now, her voice is shaking and so are her hands. Vex doesn’t know what to do. She wishes she could comfort her but… She honestly doesn’t believe there is anything she can say that will make any of this better. Cassandra was used and abused by these Briarwoods.

“One day, Percy showed up, with a weapon of his own making, a demon riding his soul and he murdered them all. He murdered the Briarwoods, he murdered Ripley, that he’d loved so much. He murdered his teacher, and the Briarwoods’ friends, and then he turned his gun on me.”

Her breath itches and a sob wracks its way out of her throat.

“His eyes were black, there was this smoke around him, and he wasn’t my brother anymore,” Cassandra sobs. “But he still… he told me to run. He managed to fight the demon and tell me to run and I did. He tried to take a shot at me but missed.”

Run. Please. The man’s voice and his eyes are still carved in Vex’s memory. She can’t imagine what Cassandra must have felt when Vex told her what happened to her, how he let her go but still shot her.

“That’s the last time I saw him,” she leans back against the chair, a bit calmer, as if emptied out of the sorrow for a moment. “Keyleth is the only one who ever gets to go see him. And she can’t tell him where I am. Or he’ll come for me.”

It’s f*cking tragic.

Vex’s mind seems to run empty for a long moment. No wonder no one will talk about the massacre. Or the massacres, plural, as it is. There are so many questions that suddenly press to the forefront. Lord Briarwood had been undead with a taste for blood? That’s… almost something out of scary stories for children.

“How long has it been?” Vax asks next to her. He seems to be managing this much better than Vex is.

“About two years?” Cassandra replies. “Something like that. I admit weeks and months seem to blend into each other lately.”

That makes sense. Vex can pretty much say the same about the months of her recovery before she moved to Whitestone. Trying to move on from traumatic events feels like trying to run through jelly. Days repeat themselves until it’s suddenly six months later and you feel just slightly better.

Vex herself isn’t completely out of it. Some days, she barely recognizes herself. She has Vax, and Trinket. What does Cassandra have? A memory, a shadow of the brother she can’t seem to help.

“He taught me all I know about constellations, you know? We’d sneak out onto the high balconies at night and he’d tell me all he’d learned about them in books, before I could read.” She smiles then, bitterness filling her eyes. “I’m never getting him back, am I?”

Vex feels a knot in her throat forming, and this time she can’t stay quiet. Even if the words that come up don’t feel like they fit. She can’t think of any other ones. But she has to say something right? Maybe nothing will ever exactly fit, and it’s either this… almost meaningless platitude or silence.

“We will do our best.” It rings empty, falling flat as Cassandra laughs. “I can’t promise him back, but… we will do what we can.”

“I suppose that has to be enough. If only I had…” She trails off, and it isn’t hard to see where her thoughts have gone.

“Staying wouldn’t have changed anything. You would simply be dead.” Vex doesn’t want to hurt the girl with her bluntness, but she sees her flinch regardless. “It wasn’t your fault. He wasn’t your brother anymore when he came back.”

She looks over at Vax for a half a second, his quiet sad smile that never really reaches his eyes, the comfort he’s so obviously trying to exude, draping his body in the least threatening way, open palms on the table, knowing how to exist in a way that won’t make someone like Cassandra or Vex run away.

He heard what Cassandra said about being trapped. And maybe even more than Vex, he recognized what it meant.

What would she be feeling if Vax had made a deal with a demon to help her get rid of Saundor?

She can’t quite imagine that black smoke around Vax’s golden skin instead of Percy’s much paler one. She can’t imagine it living inside of him. Forcing herself to imagine it makes feel a little nauseous.

“I… know what it’s like for your loved ones to get hurt when they come to save you,” Vex adds after a moment.

The bramble-like arrow shot by Fenthras going through Vax’s shoulder, his face growing paler from the pain of it. He had to get too close to Saundor to stab him but it made him vulnerable. He took the risk anyway. He always took the risks for her.

“If you looked through the file you had on me, then you know a lot about my past. You know I was involved with an Archfey,” Vex whispers. “And you know some of the story of how it ended. But…” She looks down for a second. “Vax had to come and get me. I wouldn’t have made it out by myself. I couldn’t even really think of escaping at the time.”

Vex looks up to meet Cassandra’s eyes. Hopefully she gets why Vex is telling that story. The parallel, if slightly distorted, between Percy and Vax in this situation are easy to see.

“I guess us big brothers tend to be a little reckless when it comes to our younger sisters,” Vax points out with a humorless chuckle.

Vex rolls her eyes. “I’m three minutes younger than you.”

Cassandra’s face cracks in a smile at that.

“Either way,” Vax shrugs. “We really are going to do what we can to make sure this has a happy ending for the both of you. As happy as possible.”

Cassandra takes a sip of her coffee. It’s probably cold now, but Vex understands the need to give oneself countenance. She straightens up a little. “I hope so,” she mutters. “I really do. I don’t want to be the sole heir to Whitestone.”

Vex thinks she can read between those lines. I don’t want to be alone. She gets it. She really does. The past few days have made sure the only person she has is Vax. She wouldn’t want to lose him either.

“If I bump into him again,” Vex starts slowly. “Do you want me to tell him something from you?”

Cassandra’s eyes widen. Vex understands that Percy’s not supposed to know where Cassandra is, but a simple message without location won’t do much harm. It might just help him fight the demon.

For as much as she empathizes with Cassandra and her loneliness, she can’t help but think of Percy too. Two years of nothing but a demon for company. Two years of knowing you might just kill everyone you love.

“Please… If you see him,” Cassandra whispers after a moment. “Tell him I still love him.”

“I can do that,” Vex nods.

Afterwards, it’s hard to find words to end that conversation but they somehow manage. They exchange numbers and Vex makes sure Cassandra’s calls will ring loud and clear no matter what happens or if her phone is on silent. They say goodbye and the twins start their way back to the car.

Vex extends her hand in between them and Vax doesn’t waste a second to take it.

alright these girls have haunted me for about a whole month now time to break it all down for anyone vaguely interested in them

hololive/vtuber 101 below the read more

THE f*ck IS HOLOLIVE?:An idol agency except all of its roughly 20 or so girls are youtube streamers who have their identity protected by a live2d avatar. They recently had a very fun live concert and all of them have or will have 3d models, but the majority of content is just them streaming whatever's their fancy at the time. (As of 2/17/2020 a lot of them play a lot of ARK, thank Coco for that) Therefore, they're part of the new form of niche culture called Vtuber.

THE f*ck IS A VTUBER?:Virtual youtubers. Like a normal streamer but, again, live2d portrait instead of their actual face. That's basically it. Content is about as varied as any other youtuber.

ALRIGHT, WHO WE GOT?:Hololive's split into OG Tokino Sora, the girls alongside her who are also primarily 3d, and then 'generations'. Just plug in their names and you'll find their channel easy. Again, variety differs between all the girls, but expect a lot of Nintendo games, chat streams, karaoke, and Minecraft across the board.

-Tokino SoraOG mom slash idol, debuted all the way back in 2017. Probably the only proper idol in all of Hololive. Warm, friendly, relaxing. She mostly does 3d variety streams and song debuts so she's hard to follow without advanced japanese.

-Roboco(-san)Pose happy killer robo with a notably smokey voice and calming demeanor. Plays a large amount of minecraft and first-person games in general; recent streams include ARK, Pokemon Mystery Dungeon remaster, Apex, and Fortnite.

-Sakura MikoELIIIITE MLG miko idol with a tendency to swear a bit. High energy, fully embraced 'press f', gives herself sunglasses during streams, great friends with Pekora. Also notably into eroge. Did a full playthrough of Papers Please lately and is one of the most addicted to ARK (21 streams at around 4-5 hours each.)

1st Generation-Yozora MelSleepy vampire with the occasional killer instinct. Soothing, gentle, kind of lewd. Very much into nintendo games with Smash, Ring Fit, SwoSh, and Mario Kart being her latest content, but she's a little slower with the output. Part of the lewd blonde club with Aki, Haato, and Choco, who were demonetized until recently.

-Aki RosenthalCyber elf with detachable twin tails. Pretty similar to Mel in disposition, though less sleepy and more...I want to say 'fantastical'. Recently gained popularity due to her buck naked superhuman beefcake character in ARK, with Kerbal, Go Home, and some ASMR rounding out the rest of her content.

-Natsuiro MatsuriEternal 17 year old cheerleader from the class next door, Matsuri is a high energy raging lesbian who's also a complete sweetie. Her infamous bandaid clip is what got a lot of western fans into Hololive. Plays a wide variety of games but also twitcasts at random times of the day like when she's in bed or in the bath, just to chat with her viewers about what's on her mind. Well loved.

-Akai HaatoThe ESL transfer student, girl next door, Haato is, well, exactly that. Commonly traveling for studies, Haato is a bubbly girl with a fine sense for aesthetics; you'll catch her making elaborate builds in Minecraft or playing visual novels during streams, along with a smattering of other games. Notable in that she's the only girl that'll do purely English streams, likely to help with her own education. Also kind of a baka.

2nd Generation-Minato AquaDisaster masoch*st maid who's actually stupidly good at video games sometimes. She's both mischievous and hard working, massively popular in China, and, again, stupidly good at games. Soulsborne speedruns, PUBG, ARK (also one of the most addicted), Minecraft (seeing a pattern?), League if you catch her bilibili streams...but she's also the one who will spend a stream calling the other girls and asking them to bully her. Wild card gremlin.

-Murasaki ShionGenius mage who doesn't do a lot with her magic. Pretty well known for her 'neeeeeee', with a distinctly smug avatar/voice. Pretty good at games too, with a variety of Pokemon, retro games, Minecraft, Smash, horror, Mario Kart, etc. Excellent singing voice too, would recommend her covers.

-Yuzuki ChocoThe totally-not-a-succubus demon nurse at your highschool, Choco embodies :sweating:. Obviously she's lewd, but there's also a silly and petulant side to her that's fun to watch too. ASMR is her specialty. She's also, surprisingly, really into Dead By Daylight, so if that combination sounds fun to you hit her up.

-Oozora SubaruIf Haato is the girl next door, Subaru's the bro next door. A very down to earth but energetic and sporty tomgirl, she recently spent three streams and sixteen hours on trying to take down Sans. Other recent things include Live A Live, The Witch's House, and GTA. Refreshingly easy to relate to compared to the other girls sometimes.

-Nakiri AyameHello, honored humans~ Hololive's millenium old oni. Has a peculiar way of speaking, especially in her pronouns, which lends a certain charm if you can got on board with it; happy go lucky, easy to like, and really cute on top of all that. Recently recovered from sickness (as of 2/26) so was the last to get on the Ark craze, she's actually very fond of multiplayer games as a way of 'getting to know mortals'. Apex Legends, Mario Kart, Splatoon, etc.

GAMERS:A sort of generation on its own, and also a kind of weird designation when all the girls game so frequently. Oh well!

-Shirakami FubukiFox. Not a cat. Super cheerful, makes a lot of weird noises that people turn into youtube poops (that she encourages), and also a helluva gamer. Plays plenty of battle royales, ARK, and of course Nintendo/Minecraft stuff. Infamous for her absolute feral hunter instincts in Project Winter, where she commonly massacres the entire map on her lonesome when she's the traitor.

-Ookami MioMom wolf who has to play tsukkomi (straightman) to basically all of Hololive sometimes. Which makes it all the more hilarious during her semi-common charisma breaks, like during Haato's recent English Exam stream. Has been into EDF, Pokemon, Ghost Trick, and Splatoon lately.

-Nekomata OkayuThe sleepy smug cat with the most chill personality. Notably very, VERY close with Korone, and in general kind of a playboy in general. Never denies it or any of her myriad transgressions though. Her Mother 2 run has been fun recently, but really you could just tune into her frequent chat streams and relax that way.

-Inugami KoroneDog. An oddball who kind of just goes at her own pace, playing all sorts of weird games like Nyanpo (the pokemon prototype) and weird PS1 retro games. Shows a disturbingly violent side sometimes; her ongoing Blasphemous run and recent RE4 runs have shown how much she's into that kind of stuff. But also she's still a dog, so really don't worry.

Inonaka Music:-AZKiAZKi is closely associated with Hololive but is really more of her own thing, being even more idol than Sora is. Doesn't stream much if at all, has her own album out, does music collabs more than anything else, etc. Helluva singer though.

-Hoshimachi SuiseiThe vtuber idol who's totally not a psychopath, and totally a goddess at tetris. Like Fubuki, made a name for herself with her psychotic rampages in Project Winter, and also very much unfazed by horror games. Really f*cking good at tetris too, doing 98v1 streams lately in Tetris 99, and a godly songstress too. Her karaoke streams are to die for.

3rd Generation:Also known as Hololive Fantasy. These girls are particularly close to each other. If you can find translated clips, I definitely recommend their host club streams where they compete in seducing other Vtubers. (Yes. That's serious)

-Usada PekoraAH^HA^HA^. You'd think she was a cute rabbit, but no! It's a Tewi level sh*tposter combined with some legit video game skills. She likes playing the heel deliberately just for sh*ts and giggles, like when she nearly walked off with Miko's Nether Star. She's in fact very close to Miko, their relationship being both great friends and great rivals. Definitely one of the most addicted to ARK too; she's been making headway in conquering the ocean.

-Shiranui FlareHandsome half-elf archer, Flare's the designated tsukkomi of the third generation. She's definitely the most down to earth of them, charismatic to boot, and does as she pleases with a relaxed personality and husky, smokey voice. Very very VERY close to Noel. You'll find some really fun playthroughs of various action games like Dark Souls, Bayonetta, and Sekiro on her channel, and thanks to her picking up game mechanics fast they're fun to watch for anyone.

-Shirogane NoelKnight Captain of the Shirogane Knights, Noel's...kind of an airhead, actually. But she's definitely a pleasant, softspoken sort of person who's incredibly relaxing to listen to. Also a big eater, you'll hear her talk about beef bowls and muscles a lot. Just try not to stare too much at her 'pectorals.' As mentioned, VERY close to Flare (they just had a two day long date to a ryokan). Plays whatever with no focus in particular.

-Uruha RushiaThe cute, soft, innocent apprentice necromancer, Rushia occasionally comes out of the gates roaring with rage filled screams before chilling out. An absolute cutie though, who loves her fans very much (though really every Hololive member does), her attempts to be cool and reliable lend to some great comedy. She's got a great singing voice if you can find one of her bilibili streams, and otherwise plays a wide variety of things.

-Houshou MarineA~hoy~. The completely safe for work, modern, not-cosplay eternal 17 pirate...and everything I just said was a lie. Most of it anyways. Marine's a riot of a lady with an incredibly dirty mind and dirtier motor mouth, great voice acting ability, and knack for art that she'll happily show off (among other things). Definitely one of my favorites, you'll find plenty of chat and art content on her channel, along with some of the most Ark addiction and a full array of Touhou game playthroughs.

4th Generation:Hololive's newest five girls, it's been a month and change since they debuted. They're notable for working together on some of the most wild content Hololive's put out so far, all helmed by a certain dragon. But we'll get to that.

-Tokoyami TowaThe little devil that does whatever she wants, Towa's known for a couple of other things at this point: refreshingly honest personality, Pokemon playthroughs with an eclectic choice in team comp, and her charmingly atypical tomboy voice (though her mic's not amazing). Great singer, super funny if you can find the rare translated clip of her, and was an absolute menace at the recent Hololive werewolf/mafia game. How she managed to fake being a Seer from day one and nearly win, I'll never know.

-Tsunomaki WatameHololive's bouncy sheep. Ram? Something like that. A very girly, friendly, lightly ara-ara personality, she's an honest and open with her feelings sort of girl. Earnest laughter at chat and games, real emotional tears while watching the live concert with her generation mates, Watame's a total sweetheart who streams a bit of music everyday as the pre-show to Coco's Morning sh*tposts (official name). She's also gotten very close to her senpais in some regards...but above all she likes singing, chilling out in Minecraft, and recently playing through a couple Kirby games.

-Himemori LunaIf you want to see a completely innocent cinnamon roll looking character say things like 'ass' and 'don't f*cking take crystal m*th', Luna's your gal. Her high pitched, almost childlike voice takes a bit of getting used to but she's a sweetheart that just has fun no matter what she's doing. But she'll also say a bunch of really funny sh*t while doing it just from sheer juxtaposition of her voice/appearance and the vocabulary. Surprisingly good at video games too.

-Amane KanataPP Tenshi. Perfect Pitch, Powerpoint...Kanata's a bit of a sheltered honor student sort of girl who has an incredible vocal range, so much you'd be forgiven for thinking she was a professional voice actor or singer. She loves playing along with jokes even if she doesn't get them some times, and is really close with Coco. If not for said dragon she'd be the biggest memelord in the 4th generation, but alas; her channel has lots of collabs with fellow members and a series of cute 'research' videos on the various generations of Hololive. Unfortunately untranslated though.

-Kiryuu CocoThe one, the only, the President of Nishinari herself, Coco has been a force of nature since she debuted. Her vulgar sense of humor, rapid fire jokester nature, fluent English speaking, and complete conversion of Hololive to the wonders of dinosaur taming in Ark has made her one of the most subscribed girls in a matter of weeks. Every day at 6am JST or 1pm PST, she does a quick 20 minute gig called Coco News (officially translated as Coco's Morning sh*tpost) where she reports on the various ongoings in Hololive. This ingeniously brings attention to the silly crap everyone's been up to, really fostering a sense of community between the girls you don't see elsewhere, while also being a riot to watch as she roasts everyone for their silliness (with full permission). Other notable memes include her stalwart boycotting of Nintendo Switches, her desire to fund a Hololive house, and her recent Hitman 2 run.

So @lesbianmaxevans and I have been discussing how there’s very little backstory for Dani Powell on the show and we decided to contribute to the tags by coming up with our own headcanons for her:

Dani is a nickname obviously, but instead of Danielle or Danika, it’s short for Danys, a unisex Haitian Creole name. She only gets called Danys if she’s in trouble

Malcolm giggles whenever that happens and Dani threatens to put her cold hands on him if he tries calling her that

Malcolm learned her middle name the same day he met her middle sister,New York County Court Judge Naomie Powell, whobarged into the precinct after an incident where Dani got hurt and went, “Danys Eliana Powell, if you’re going to give our family a heart attack, at least pick up your phone!”

Her dad is Haitian (I still say that episode 5 should’ve delved into this with Dani and her backstory) and her mom is Jewish. Dani and her sisters were all raised Jewish

Dani doesn’t regularly go the synagogue, but it’s tradition for the Powells to go to services during major holidays

Dani and JT explaining Jewish holidays to everyone

Powell wasn’t her dad’s original last name. Her dad and grandma came to New York from Port au Prince in the late 70s and their original last name was Poirot. Grandma Eliana kept the name, but her dad changed it to Powell when he started university

She’s the youngest of three girls in the family. Her oldest sister Mona is played by Meta Golding while middle sister Naomie is played by Sydney Tamiia Poitier

Naomie was the sister who suffered from night terrors after getting into a bad car accident as a teenager and Mona and Dani would often take turns looking after her. This is how Dani knew how to deal with Malcolm

Dani is bisexual. She and Edrisa went on a date before deciding to be friends and Edrisa likes to joke about them being exes much to Malcolm’s confusion

“When did you even break up?” “We didn’t, technically. We just went go karting and had lunch at Zabar’s before we realized Dani was wayyyy too much like an aloof little sister to me.”

And this is totally a crack headcanon, but after seeing Jurnee Smollett-Bell playing Black Canary in Birds of Prey, Dani and Dinah Lance are now cousins. Their moms, Zipporah and Dinah Senior were sisters

Dani and Dinah may be Jewish, but they don’t keep kosher all the time. They don’t eat pork, but they’re absolutely weak against shellfish, much to their moms’ dismay

Chaotic bi Dinah and distinguished bi Dani

Imagine Dani going undercover in Dinah’s band and them singing the Birds of Prey song from Batman: The Brave and the Bold

Dani can rock the punk rock aesthetic. Dinah makes her wear fishnet stockings, red lipstick, a corset over a dark lace shirt, and gold metallic temp tattoos. Malcolm has a heart attack

And then Dani starts singing and he’s a goner because he’s only ever hear her sing old songs from the 30s to 50s and there’s something powerful and sensual about her singing punk rock music. He’s not ready for it

JT teases the hell out of him, but he soon shuts up when Dani and Dinah bring Tally into the mix.Edrisa records the whole thing, as well as Malcolm and JT’s expressions.Gil ends up using it to keep Malcolm and JT from doing anything too outrageous

Grandma Elianawould sing old jazz and méringue songs to Dani and her sisters when they were little so Dani ended up with the habit of singing them absently whenever she’s focused on a task, usually when she’s doing her hair

Dani grew up listening to songs from the 30s, 40s, and 50s due to grandma Eliana always playing her extensive vinyl collection. She didn’t really get to listen to modern music until she was in middle school

In addition to jazz and swing, Dani’s surprisingly good at disco. It didn’t help that her dad often played Boney M and Earth Wind and Fire during her childhood

Sheused to joke that the Powell family is decades behind in their taste in music. Dani doesn’t listen to many modern songs, but she likes singing along to Yonce as well as Janelle Monae songs like Electric Lady and Sally Ride

Make Me Feel becomes Dani and Dinah’s bi anthem

Malcolm once caught her singing and he keeps trying to catch her again. He’s lucky to listen for five seconds before she kicks him out of the bathroom

Dani’s a bit of a tea expert thanks to grandma Eliana, who taught her many different ways of making tea. Other than Earl Grey, Dani’s favourites include grandma Eliana’s ginger tea and pomegranate tea

And I’m not just saying that last one because I saw tags about a Brightwell Hades and Persephone AU

She loves tea flavoured desserts as well. She often gets a glazed Earl Grey donut for breakfast on Monday mornings when she needs a little pick me up

She changes up the glaze depending on her mood. Lavender for when she’s stressed, balsamic and pomegranate for when she’s in a good mood, blueberry for when she’s irritated or stuck on a case, brown butter for when she’s tired, and caramel with blood orange zest for when she’s ready punch a dick

In the summer, she loves Thai iced tea popsicles and matcha green tea popsicles dipped in chocolate

Dani isn’t as big of a coffee drinker as she is a tea drinker, but if she has to have coffee, it’s always a cinnamon mocha with a shot of espresso

She can cook, but because of her schedule, she mostly sticks with quick to make dishes like grilled cheese and spaghetti. She likes spicing things up though, thanks to growing up with her dad and grandma’s cooking

Every Hanukkah, Dani always gets roped into preparing the desserts with Zipporah since her dad, grandma, and oldest sister are in charge of cooking. Dani’s the first to admit that she’s not a cook, but she’s gotten good at making sweets, even if she doesn’t always have the patience for it. Eight nights a year is her limit

Malcolm as a foodie bemoans this and his trying to broaden her food choices slowly becomes a thing

The look of horror on his face when he sees her chow down on a double beef bacon mushroom burger, poutine, chocolate pecan pie and a strawberry milkshake in one sitting is priceless

And Dani loves seafood, especially shellfish which Malcolm can’t have because it gives him hives

Daniwas a bit of a trouble maker in elementary school, but for good reason. She stuck gum in a classmate’s hair because she stole her favourite scratch and sniff stickers and lied about it. And she once kicked a football player where the sun don’t shine because he was being a dick to her

She dressed like Kimberly Hart from the Power Rangers movie in high school, though she did have a goth phase for about two weeks in freshman year. She was trying to channel Wednesday Addams. She was definitely a bit of a rebel style wise. Malcolm was most definitely a nerd

Ironically, Dani’s the one with poor eyesight. She only wears glasses if there’s no more contacts and they’re a chunky pair that’s similar to Edrisa’s glasses

Dani does have some secret nerdy traits, she knows how to code thanks to her sister Naomie going to coding camp for five consecutive summers

And like Kay,Dani has some artistic tendencies too. She grew up with outdoor art programs that encouraged her to paint

She’s fluent in French. She, her sisters, and their paternal cousins went to a bilingual language school thanks to grandma Eliana’s influence

Dani also did competitive figure skating as a kid.She actually made it to the Junior Grand Prix finals. She got silver

There’s recordings of her competition routines on YouTube somewhere and she actually goes undercover as a figure skater for a case.Gil acts as her coach because he actually used to skate as well

She also did some cross training in ballet as well since her godmother is a well known ballerina turned dance teacher.There are a lot of pics of Dani in her early teens of her in a leotard and tights with curls escaping her ballet bun

She has an old injury that often acts up when the weather is cold. She broke her leg pretty badly in high school due to an accident in gym class.She got knocked off the balance beam when they were doing gymnastics and had to be rushed to the hospital for surgery

She prefers horror and thrillers to action movies, but she likes period pieces too. Belle is a recent favourite of hers

Dani likes Star Trek because her dad is the biggest sci-fi nerd and it was a big part of her childhood. She also grew up as a fan of Eartha Kitt because of him after he made her watch 1960s Batman reruns with him

As a result, she wanted to name her first kid after Eartha. She eventually nicknames her first daughter Kit because of this

Dani actually introduced Tally to JT. They were roommates in college (Dani majored in social work while Tally studied chemistry) and they went to the same synagogue

Tally designated Dani as godmother after she and JT had twin girls.She was the sandeket at Noa and Miri’s simchat bat

She practices Krav Maga, she and Dinah both learned it in high school, though Dani always says that Dinah had more of a natural talent for it

Dinah also did kickboxing and gymnastics and Dani ended up tagging along her lessons. She doubled as a coach and sparring partner

She and her sisters dressed up as magical girls for Halloween when they were little and the new Charm reboot is like reliving their childhood

She wraps her hair for sleep with funny and colourful scarves that Naomie always gives as gag gifts, a tradition that started when they were preteens

She’s dyslexic, but she wasn’t diagnosed until middle school.She had difficulty memorizing things so she got into a habit of carrying a recorder with her. She also has her phone and computer set to dyslexia friendly fonts and listens to a lot of audio books

It’s also the reason she sometimes makes mistakes when she’s dancing. She sometimes mixes up left and right

She also had trouble learning French at first because of this

Dani can hold her liquor, but after four drinks, she becomes a giggly drunk who randomly speaks French and sings 90s rock songs

She alsosuddenly gains a sweet tooth when sober Dani doesn’t usually go for sweets. Luckily Malcolm has a few lollipops stashed away for when this happens

Dani did a brief modelling stint back in college to help out her cousin, who was in fashion school at the time.She mostly modelled for women’s wear and book covers. She even posed for a couple of historical romance covers

Malcolm may have accidentally come across it thanks to his mom.Jessica might have been a little smug when she told him to fetch the book from where she left it. The look on his face was priceless

Dani ends up recreating a cover for a case. Edrisa makes Malcolm pose with her. She takesso many pictures

Given that Malcolm has Sunshine, it’s ironic that Dani owns a cat.It’s a mischievous black cat named Shuri and she loves climbing things, especially Malcolm

Favorite clips of s5

Thank you so much @smblmn​ for tagging me, I love the idea! While the season as a whole was kinda underwhelming, it was full of amazing clips and I do have a lot of favorites. Here’s my top 10 and a few honorable mentions. I tend to have one favorite clip by episode, except for episode 8, which I REALLY didn't like. I didn't rank my picks, I'll just list them chronologically.

And since I didn't have the opportunity this season, I'm also making gifs to illustrate my picks :) I need the practice, as you can see.

Ep.1: Samedi 0:25 - Le choc

One of my favorite things this season has been the symbolism and the metaphors around sound and silence. In the first episode, there were 2 occurrences: Arthur seeing Noée for the first time underwater at the pool and him looking in the street as snow falls and slowly realizing he's gone deaf. I thought this was an amazing idea and that it gave disability more depth and beauty.

And that look at the camera in the last seconds… And the piano music… It was so chilling.

Ep. 2: Jeudi 20:59 - La nuit de

Globally, the scenes at the association were my favorites, even though I have a complicated relationship with them. Before shooting started in October, someone from the crew promised they would invite me on set during the filming of these scenes, but they ended up breaking their promise. I try to be as drama free as possible on the internet so I didn’t talk about it publicly but now that the season has ended I’m like “Why should I bottle this up, I’m not the the one who screwed up and I’m still hurt about it”.

The first time I watched that clip in January, I was heartbroken. Not just because of the missed opportunity but because I realised I never got to experience what Arthur did; there was no association for me, no one. But I still have a really soft spot for this scene because it's just gorgeous. The aesthetic is incredible and I totally understand what Arthur feels (minus the alcohol). Overall, as bittersweet as it is, it's probably one of my top 3 scenes this season (and it looks like it's one of David's too, this man has great taste). I can’t help but feel for the teenager I was and I wonder how I would have felt watching it then.

Ep.3: Vendredi 13:12 - Check de frérot

Arthur and Basile's friendship was one of the highlights of this season, heck Basile WAS the highlight of this season. Basile and Arthur never shy away from hugs and I'm living for it. I'm so looking forward to see more of Basile in season 6 (since I guess we'll see more of his relationship with Daphné). I loved seeing him be so well-intentioned, despite his usual clumsiness. Seeing Paul in a more serious register (for instance when Arthur lashed out at the boys in episode 6) was delightful.

Ep 4.: Lundi 19:02 - Les entendants

This one also belongs in my top 3. This is the representation I was looking for when I learned Skam France would tackle hearing loss and deafness. It doesn't come in the same package for everybody, and I love that they tried to show it through so many different characters. The situations described here are universal among deaf people.

On a more personal note, I loved that the extras were actual deaf people and sone of them well known. The lady interpreting is Jennifer Lesage-David, co-director at IVT, and she helped David and Niels a lot this season. And the girl speaking about her relationship with her dad is Lulu, she has a YouTube channel with her sister where they raise awareness about hearing loss. The instagram post that was published that day also featured a lot of people I more or less know.

Watching this clip was an experience in itself. I was attending a conference that night about deaf TV archives. The clip dropped 2 minutes before it started and I had to wait for it to end to finally watch. It was excruciating. Also, half the staff of IVT was there and I actually ended up watching the clip in front them. There were like "Wait? Jennifer was in Skam?".

Ep.4: Vendredi 20:43 - Ma vie a changé

While I'm still sceptical about Noée falling in love with Arthur so quickly (this sign song is unambiguous), I think this is one of the most beautiful scenes in the whole series. I don't care very much about this being romantically coded, I just choose to focus on the sign song, because I'm so happy they featured deaf visual arts.

My friend and I spent hours trying to decipher what the song could be about and our interpretation differed a lot from Winona's original text but we loved doing this. David was curious to see how my friend would understand it (especially the part where Noée signs a growing love which she cradles) and he was so happy when she understood it right.

For those interested, here’s what we interpreted (roughly translated into English):

Like two souls lost in the storm,Swayed by the tide,Never really seeing each otherUntil ours eyes meet.Something is growing inside me, something new,That sets my heart beating.You take off my mask and the truth in your eyes,Fills my heart.Look at me, I also see you.

Ep.6: Mercredi 18:31 - Un simple bout de métal

Also one of the scenes I was expecting the most this season, especially when it transpired that Noée was a bit radical. Her letter echoes my own fears and I thought it was really on point. Arthur admitting he needs her made my heart melt, he's so lucky to have met her. And Winona was amazing in that clip.

Ep.7: Vendredi 20:31 - Sourd dating

Just like for "Un simple bout de metal", I was also expecting that scene. I like that they made Noée and Camille voice their opinion like both faces of the same coin. It was a great way to address cochlear implants as they're a sensitive topic in the deaf community. I think this is one of the most shining example of the research work they did. They could have just stopped at Noée’s letter. But since they had deaf actors like Lucas, who is also implanted and has faced prejudices from radical Deaf people in the past, they had to show implants were not evil and that the situation was more complex than just “Doctors who want to act as gods”.

Learning Noée’s backstory was also interesting, although I didn’t expect her to be an "ex-implanted" deaf. She explains that she learned sign language at the association, which can't be more than 3-4 years ago (and if you look closely in ep 3, when Arthur checks the website, she says she joined the association at its beginning), but there's no way Noée would have that proficiency in sign language in just 4 years of practice. Winona's fluency in sign language is clearly that of someone who grew up with it. I loved being able to notice these subtleties.

Like all the clips at the association, it was a joy to watch because of the atmosphere and the sign language. The deaf extras were lovely. I actually got to meet a few of them last month and had an amazing time with them.

Ep.9: Vendredi 20:17 - Choisir pour toi

Coline. singing. Do I need to say more? I like that both Noée and Alexia had their shining moment and as clumsy as the story got, I appreciate that the writers didn't try to pin one girl against the other and make one superior. Noée had her sign song and Alexia her own composition. And both were breathtaking. What really gets me in this scene are the colors. I'm a sucker for aesthetics.

And of course, it was great to see Alexia stand her ground and break up with Arthur. I have nothing but respect for her and I'm team Alexia + happiness all the way.

Ep.10: Lundi 10:04 - La même vie que vous

When Melchior, Laura and the brochure subplot was introduced, I was a bit wary because their introduction scene was really, really awkward (it wasn't very well tied at first). By their second scene, at Arthur's place, I was sold. It was great to address accessibility and show that there's no point putting people with disabilities in the same bag, because there are hundreds of them and the needs are different. What doesn't change is our wish to live our life at the fullest, just like abled people. And this scene was precious. Seeing Arthur endorse this new part of him and support his peers was everything.

Ep.10: Vendredi 20:47 - Le meilleur des mondes

I'm still very emotional about this scene. Like… I don't know what to say, the music still sends shivers down my spine.

Honorable mentions :

Ep.1: Mardi 11:59 - 3, 2, 1,…

One of the only things Robin told me about the season when I met him at IVT was that the first clip would drop on New Year's Eve at 11:59 p.m.. That date became a beacon during fall and oh you wouldn't believe how much I waited for that clip to drop and how much I was looking forward to it. And it freaking delivered. The atmosphere, the tense music, that first shot on the loudspeaker, the confetti clogging it gradually… That teaser was a masterpiece.

Ep.2: Like… the whole episode actually. The alarm clock concept was genius.

Ep.4: Samedi 10:15 - Nouveau style

One of these gorgeous clips without dialogues that still say lots.

Ep.5: Samedi 10:03 - Maîtriser le langage

Oh my, this one was so relatable and a joy to watch. Camille explaining that sign language and mimes are different, Arthur being that dimwit asking about swear words and being told off for speaking… Kuddos to the deaf extras who had to pretend they didn't know any sign language, it was so funny (looking at you, Enzo).

Ep.6: Samedi 8:30 - Mythos

Seeing Arthur lashing out at his friends was cathartic. He roasted them so well, I wished I had his ability to speak so well when I'm angry. A+ work.

Ep.6: Dimanche 14:41 - Envie de rien

Alexia being the real MVP, as always.

Ep.7: Samedi 2:15 - Pool Party

It’s strange, because even though a lot of the story went down in this particular episode, it must be one of my favorites, like… tied with episode 2. It has probably a lot to do with the fact there were mostly deaf characters and that they had so much fun together. It’s something I can relate do, the sheer joy of signing the night away, which is something I didn’t get to experience until very recently.

As gorgeous as the underwater scene is, I'm not a fan of Noée and Arthur's almost kiss. I picked this scene because I love the moment of sheer joy that follows; everyone joining in the pool and having fun together. And of course the rise of Camika. I know it's a bit convoluted to have the two openly gay guys fall for each other first time they meet but… it just worked so well.

Ep.9: Mercredi 21:34 - Frère

This clip was about to make the top 10 cut when I remembered about another one and I had to remove it. Just Basile being lovely Basile.

Ep.9: Jeudi 17:30 - T'es pas tout seul

This clip was so important, bless the nurse and bless Jérôme. I wish Jérôme was my audiologist, to be honest.

Ep.10: Samedi 13:39 - Maman

Arthur's mom was so lovely and I'm so sorry she had to go through this sh*t with her trashcan of a husband. I liked her relationship with her son and her reassuring him he's not like his father was very soothing. I wasn’t the biggest fan of Arthur at the end of this season and I appreciate he’s well looked after after what he went through.

Ep.10: Jeudi 17:46 - Recommencer

Just like "Nouveau style" from ep 4, it's another one of these silent clips that has lots of meaning. Arthur putting back his glasses, slowly accepting his life won't be the same and that he has to move on. Except now things are clearer. Skam France love its symbolism and while sometimes it's very poorly done (like the love triangle emphasizing on Arthur's balancing between two worlds), more often than not it's very compelling.

Now I want to rewatch everything, so see you soon I guess :)